The article discusses the enduring appeal of Nokia's legendary corporate font, Nokia Sans (and Nokia Serif), which was used on nearly all Nokia devices from around 2002 to 2013 before being replaced by a more generic font designed by Bruno Maag. The author, Thom Holwerda, inspired by nostalgia, downloaded various Nokia Sans font variants and tested them as a user interface (UI) font on his KDE Wayland setup with high DPI displays. Holwerda found that the Nokia Sans Wide variant works best as a UI font, offering excellent legibility across different sizes with distinctive character that is neither gimmicky nor overwhelming. This observation is supported by Erik Spiekermann, the font's creator, who criticized Nokia's decision to replace the font. Spiekermann argued that Nokia Sans, especially the Wide variant, is well-suited for UI use and lamented the discard of a decade of brand recognition in favor of a more bland typeface. Despite noting that his preference is personal and dependent on his use case with high DPI displays, Holwerda ultimately replaced the long-time favorite Inter font with Nokia Sans Wide for his system UI. He acknowledges potential legal issues around downloading and using Nokia's fonts but assumes personal, non-commercial use is permissible. The article includes user comments sharing similar appreciation and nostalgia for Nokia's fonts and devices, with some lamenting Nokia’s decline due to poor consumer-support policies and abandonment of products. In summary, the article celebrates Nokia Sans Wide’s suitability and visual appeal as a modern general UI font, highlights its historical significance, and contrasts it with the less inspiring replacement font adopted by Nokia. The author encourages readers to consider this underappreciated font for UI use, especially for those with access to high-resolution displays.